Tuesday, September 27, 2011

Number One!

Here again, this is me speaking from a Candid Portraiture and Journalistic Photographer’s perspective. 

The number one thing you can do to improve your photography: When you put your eye to the camera make your very first shot count. 

It’s like this: The moment you see an interesting shot, especially when trying to do Candid Portraiture, which is my area of interest, the best moment is already passing...so it's critical—extremely critical to get the first shot right—timing is everything.

Here are some tips to improve your first shot:

  • Support with your left—Use your left hand to support the lens or body, don't be afraid to post against something or use your body.
  • shoot with your right—Don't use your right hand to hold the body or lens while also trying to release the shutter.
  • squeeze it don't push it—Try to be smooth as you press or squeeze the shutter release. Let the one focus be pressing smoothly.
  • look at the whole frame—Look at the whole frame of your shot. Do as much in the lens cropping as possible to isolate what interested you initially.
  • have your exposure set—It's easy as you are moving back and forth from various light sources, or have shifting light, to forget, but be continuously checking or metering.
  • but just in case check your exposure—For me, this is a constant battle. Most of the time when I've shot in the field journalistic photos, the subjects are moving in and out of homes, light sources, and with various amounts of a-light. Check it. Seriously.
  • have your depth of field set—Have your depth of field determined if at all possible prior to picking up your camera.
  • focus—This can be the toughest thing, especially with very shallow DOF. Quickly focus.
  • exhale not inhale—Learn to exhale as you raise the camera up to your eye. Your body will settle down and rest and you will shake less.
  • relax—It can be tempting to want to rush to get a shot. I've done it soo many times only to have a shot that wasn't good anyway because I was in a hurry and didn't do something listed above. 
  • get used to it—You’ll never get ALL the good shots that come along. It just won’t happen. Stop and regroup. You can tell your “fishing story” about the “one that got away” later with all the other reminiscing photographers.
That said, with such a long list of considerations, you can’t sit there going through a checklist while life is passing by. It just won’t work so here are the top three: Focus, DOF, Exposure. That’s the big three overview IF the shot is interesting and you already know composition, story, etc.

Still, that can be difficult to do in the heat of the moment so the real way to improve your candid photography and journalistic photography is to become pre-emptive. Learn to see the photo developing BEFORE it actually does. I can’t teach this part, this comes from experience, the kind where there are lots of mistakes and missed shots. It’s knowing when to have your camera ready for THE shot and sometimes means not taking a shot at all if the moment has passed so you can prepare for the next one. 

Some tips for training yourself to become pre-emptive (interestingly, these things will also make for more interesting photographs):
  • know your subject—This is a more broad idea but encompasses the ones below. Study them, watch them, and wait for them. Be patient. 
  • convergence—Start to watch for things coming together in your subjects environment. This could be anything from a Taxi pulling up to the remote control for the T.V. or even another person. Where independent things come together inadvertently. 
  • relationship—Look for relationship cues and signals. Interactions can tell you a lot about a person and display many facets to their personality that you may not have considered.
  • peculiarities—Be on the look out for those things that make your subject unique. It could be a batch of freckles or a scar or a limp or a fondness for chocolate. Open up and watch.
Don't let the fact that you are shooting with a DSLR let you get sloppy or lazy. Hone your craft. That’s all I have to say about that. :) 

Let me know what you liked, what may have helped you?

Sean

Tuesday, September 13, 2011

Top Three Lenses

Here are my recommendations for shooting in the field or even on local shoots and getting great shots.

I personally thing it's all about the lenses. Less about the body but of course matching your body and your lenses will give you the most optimal tools. For example, I shoot with Nikon and shooting with a DX body and an FX lens will give you great shots still but they will not give you the full potential of the lens because your DX chip will automatically crop your photos. Not a huge deal but you just need to know. 

On the other hand, shooting with the less expensive DX lenses on an FX body will work but why would you do that unless, like me, you just don't have a choice yet.

Anyway, with that said, let's talk lenses.

First off... spend the money to get great glass, and plan on spending between $1500-$2500 a lens. You might get away for less but probably not.

For shooting candid portraits I recommend three great lenses that will give you a pretty good focal range and shoot fast. In general, I would recommend trying to purchase lenses that shoot at f2.8. For me, that's almost all I'll shoot at. I like a really shallow DOF in most cases. It's harder to shoot that way on the fly but when you get a great lens with great bokeh the images can be quite stunning. If you can get f1.4 or f1.8's that's even better but know that you are really going to have to perfect your focusing.

So my top picks as of this moment would be:

12-24mm at f3.5-f4.5 (Because we have it already but if you can swing it, and you shoot enough of it you might try  Nikon 14-24mm f/2.8G ED AF-S Nikkor Wide Angle Zoom Lens) (Nikkor)
50mm f1.4 prime lens. (Nikkor)
70-200mm f2.8 for those longer or tighter shots. (Nikkor)

Just be aware that the bigger the lens the more suspicion you'll be under for taking a photo. People WILL notice the 70-200 f2.8. It's a big lens. Beautiful and hard working but noticeable.

Those are my top picks.

©Copyright 2011 All Rights Reserved. Wycliffe Bible Translators, Inc.
Photo by Sean Stark


Monday, September 12, 2011

Wait for it...

Seriously... this is a simple idea but be willing to wait for the photograph to show itself. For a long time I felt pressure to shoot, shoot, and shoot some more, but learning to wait, as counter intuitive as it seems is a good skill.

Waiting is something that can pay for itself in the right circumstances. There’s no rush. Take your time, wait it out.

By waiting for a subject to relax or to be natural and just do there own thing, it is absolutely worth the wait. I may not take a photo for 30 minutes or more depending on the situation.

This is especially true as it concerns candid portraiture. Consider it—you’ve got the time.

©Copyright 2011 All Rights Reserved, Wycliffe Bible Translators, Inc.
Photo taken by Sean Stark

©Copyright 2011 All Rights Reserved, Wycliffe Bible Translators, Inc.
Photo taken by Sean Stark